Late Night Burlesque

One of the things that I struggle with is the fact that if there’s something that I want to be doing creatively, I want to spend 100% of my time doing it and if I can’t do that, I don’t really want to do it at all.

I had a burlesque show last night. The show went fine. I can’t really complain about that, but it was one of those nights where everything felt off and the last place that I wanted to be late on a Friday night was at a bar covered in glitter dust.

I perform with a troupe called Darkwave Burlesque, a group of burlesque and sideshow performers that was largely formed out of last summer’s Coney Island Sideshow School‘s Burlesque Master Class graduates. (There’s apparently a new session starting in April, in case you happen to live in New York City and want to get on the fast track to becoming a burlesque dancer). The troupe has sorta been falling into a habit of doing a monthly performance usually somewhere around the middle of the month… and this month… well, it snuck up on me.

When I was seeing the emails last weekend reminding us that our music had to be in by Tuesday, I started panicking. I hadn’t done anything at all to prepare for this show. I hadn’t even been listening to music trying to decide what song I ought to do. While I know that it’s not mandatory to create a new act for every show, I’ve been trying to make an effort to create new act acts as often as possible. I’m a new performer. I ought to be putting things into my arsenal.

Tuesday came along and I was sitting at work frantically listening to Celtic punk bands trying to figure out what I ought to do for a St. Patrick’s Day and almost picked Flogging Molly’s Devil’s Dance Floor. Then I started thinking about costume and then realized that it was going to be totally impossible for me to pull together a costume in three days and said fuck it… I’ll just do an act that I’ve done before and know I can do well.

So, I chose to do my act that I developed when I was going to the Burlesque Master Class. An act where I shave the face off of a styrofoam wig head to a song James recorded by band named Telecom called Cheech. No one’s ever heard of it, but everyone seems to like it.

All in all, it was a good, safe choice.

It just didn’t change the fact that come Friday, I found myself wishing I could have just stayed home.

My act went on third, so I was done at the beginning of the show. However, you don’t get paid until the end of a burlesque show. You get paid based on how much they make at the door and how much ends up in the tip bucket by the end of the night. I was ready to go home and go to bed after my act was over which was probably somewhere around midnight. By the time the show was over and I was paid, it was 2 in the morning.

I splurged and took a cab back to James’ place because I just couldn’t bare to think that I was going to spend an hour on the train when I could be home in 25 minutes by car.

I feel like the lesson I learned was that I need to pay better attention to the dates of my shows. A late night on a Friday when I’ve been working all week is just too much. If I’d been paying attention to when the show was scheduled, I might have not agreed to do this show. I don’t regret doing it, but I also want to keep it so burlesque is a fun thing I do.

Stressing out because you’re not prepared or feeling like you’re staying out way past your bedtime are things that stop making things feel fun.

I need to be better about making choices that are going to be me happy.

I also need to be thinking about my shows for next month right about now.

WEverb11 #10: Creating a Character: Roxy Bourbon

Share a creative project you undertook this year (art, writing, DIY, cooking, home decoration, crafts, photography … whatever comes to mind). How do you use your creativity to express yourself?

In Summer 2011, I created a character. I became burlesque dancer Roxy Bourbon.


(backstage at Coney Island Sideshow, photo taken by Heather Whatever)

So, I guess this is really when I get into the whole how and why I ended up deciding that it would be a really good idea to take off my clothes on bar stages in New York City.

It really all started when I lived in New Hampshire with seeing an ad in… Hmm… I think it was The Hippo for a pole dancing school in Manchester called Pole Bliss. They no longer have a studio, but at the time they offered pole dancing, burlesque, chair dancing, belly dancing and ballet classes in 4-6 week sessions. When I heard about it, I was enchanted. I took dance classes from ages 11-16 and as an adult missed it dearly. I started out there in the spring of 2009 taking Pole Dance 1 and ballet during my first session.

Pole dancing really wasn’t for me. I don’t have the upper body strength for it, and as I quickly discovered… having big boobs kinda puts you at a massive disadvantage for doing certain types of pole spins, but I loved doing ballet classes again.

When the first session ended and I signed up for my second, I signed up for pole 2, ballet and burlesque. It was also around the time I was deciding I was moving to New York City. My original plan had been to stick it out in New Hampshire until I was done with all the classes… but I just couldn’t do it. I wanted to be in NYC so bad that I was absolutely miserable, so halfway through the session. I dropped out.

In September 2009, I got dragged to a burlesque show that my friend Jonathan had heard about in Bushwick to celebrate the fact that I finally moved into my new apartment. I remember Weirdee Girl, Fem Appeal and Miss Kissy Wishes were in it… there might have been a fourth girl, but I can’t remember… but Weirdee Girl was such a charmer. I ended up hanging out with her and talking to her most of the evening. I found out from her about the New York School of Burlesque.

It took be a long time to pull the trigger to sign up for a class. My first year in NYC, I was pretty broke and while NYSB’s classes are relatively inexpensive… well, when you’re rolling quarters for food, $15 can buy you several meals.

I think it was in January (maybe February? I honestly can’t remember) of this year when I finally sucked it up and signed up for NYSB’s four week course, the Essentials of Burlesque, a course I ended up dropping out of between classes one and two because NYSB had the wrong email for me because I accidently had my Paypal address set to an email address I didn’t use anymore, and then after that… I just sorta lost my momentum.

I hadn’t lost the desire to be a burlesque dancer… but obviously something in the universe was keeping me from at completing a damn four week course seeing as my first two attempts at it caused me to drop out even before I really began.

It was at the end of June when an NYSB announcement went out about the burlesque master class at Coney Island Sideshow when I decided to take my dream seriously and signed up for it. Come hell or highwater, I was going to take the class and I was going to finish it and the shiny golden carrot on the end of the stick was there was a performance at the end of the course.

I wish I had video footage of that first performance to show you, and I do have some… it’s just on a DVD… Though, I’ve requested to see if the fellow who filmed it might put my act online so everyone can see it, fingers crossed…


(before the show at Uncle Mike’s with Darkwave Burlesque, photo taken by Anna)

However, I do have footage of the second act that I did, it’s NSFW because of nudity and all of course but if you’d like to see Roxy Bourbon performing to Telecom’s Cuba, by all means go check it out.

You probably have a slight idea about the character of Roxy… She’s a bit of a lush, a character trait I picked out to mask the fact that I tend to stumble and bumble a lot when I’m trying to dance in heels. She’s pretty vengeful… in the first act I developed, she shaved the face off of a wig head with a cheese grater because her boyfriend didn’t come to dinner. She’s not afraid to demand what she wants and show off what she’s got.

I’ve been having a blast developing her, and my goal for 2012 is to get her some more stage time.